Breathe Deep the Aroma of a New Day

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I had fun making this piece, challenging myself to lean a bit to the abstract, with slightly wonky proportions.  I aim to continue to do a series of still life pieces.

I started, as one must, with building a background.  This is one of my favorite parts of any piece… adding layers and layers of fun papers and paints, and sometimes a few other surprises as well!

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I loved that little bit of apron image showing through on the right side… keep an eye on it! I also had fun adding in these little cardboard circles that were collected out of a parking lot after fireworks fun.

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Then of course, it is time to move to the foreground…

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See where the apron ended up?  I added more collage bits from my stash of papers, napkins, tissue, Citra Solved papers, and patterns.  The leaves on the vase are from my own hand carved stamp.

I added the words that the finished piece had inspired…. and a fallen leaf.  Almost done!

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Just needs some shading, and a fallen petal to join the leaf.

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Happy creating!

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I have plans on creating a series of abstract still life pieces.  I keep doing some as a “warm up” or to figure out how I want to go about them.  I suspect my series will end up being a string of my “practice” pieces!

This is “In Good Taste” which was created by first entirely covering the 12 x 12 canvas with a pretty paper napkin which can still be seen in the vase. A second napkin in deep reds was pasted on toward the top, and bits of it are visible in the flowers.  Then it was just a matter of painting out what I didn’t want.  I added a pear, with a bit of a burrito wrapper that bore the word TASTE, hence the name.

This canvas, along with many of my other pieces is currently available at Tessera Fine Art Gallery.  Call (316) 262-2435 if interested.

Sunny Disposition

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A 16 x 24 mixed media work with sunflowers, salvia, and asters.  The background in made with magazine pages altered with Citra Solv concentrated cleaner. The sunflowers are a combination of collage and paint.

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I was not very happy with the work at this point… it definitely needed the addition of purple flowers to tie it in with the background.

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Original piece now hanging at Tessera Fine Art Gallery, Wichita, KS.

Name this piece contest!

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I have just finished this mixed media piece on an 18 x 24 inch wood panel, and can’t think of a suitable name for it!  I was hoping to get some help, so if you have a name, leave your suggestion here, or email me at victoryrd@hotmail.com, or leave it in the comments or message on Facebook or Instagram.  I will choose a winner on Friday, Sept. 4.  The contributor of the winning name will receive an 8 x 10 inch print of the piece (provided you leave me your name and address!).

Let me tell you a little more about the making of this art so you can get your wheels turning!

I started out by piecing together National Geographic pages that were in tan tones.  I arranged them in rectangular sections of various size, with the darker pieces at the bottom. Once these were attached to the board, I sprayed generously with Citra Solv and covered with plastic wrap.  The result was a muted and earthy and interesting background.

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Onto this, I laid out a paper cutout of the flower design as a base for collage work,  and later paint.  The petals and leaves have various papers collaged into them…. map pages, diagrams, book pages, Citra Solv papers, and an old handwritten recipe card. It’s all mostly covered with paint in this photo, but if you look hard you can see some traces.  This stage is the time consuming, and somewhat tedious part, but I love the rich depth the papers add to the finished artwork.

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Then the acrylic paint.  I layered it on thick to add texture to the petals.  Once I had the majority of it painted, I decided it was much too bright for the look I had in mind.  It seemed jarring with the background.

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So I covered the roses and leaves with sepia high flow acrylic, which I then wiped off the highlight areas.  Much better!

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So, does that help you think of a title?  It has a grungy, yet renaissance, look about it…. or maybe weathered and worn…

Can’t wait to hear what you come up with!

If you want to see this original framed piece….it will be hanging at Artlandia in Hutchinson for the month of September.

Musical Easels – an intro to mixed media

I recently taught a “Musical Canvas” introduction to mixed media art workshop.  In it, we try out many basic techniques of mixed media, and switch canvases at each one.  By the time we were done, everyone had worked at least once on each of the canvases… a true collaborative effort!  Four of them followed the same theme – a vase of flowers, so I thought I would share what the piece looked like early in our process, and then at completion.  I love all the individuality that is apparent in these pieces!

From this…

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to this!

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And this one…

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became this!

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From this beginning…

1.collage base

came this…

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and finally, this background…

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… turned into this!

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Great job on all don’t you think!

If you would like to take a similar workshop and live in the Wichita, Kansas area, there will be a musical easels workshop at Tessera Gallery on Saturday, July 18.  Email victoryrd@hotmail.com for more information.

Coral Floral

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The big load of canvases that I purchased on sale recently has been sitting piled in a corner for days, tempting me with their promising blank surfaces.  Busy with other projects, I have been doing my best to ignore their call.  But last night it was finally too irresistible and instead of going to bed I headed to the studio.  I pulled out this 10 x 20 inch stretched canvas and started to play. 

First, I gave it a background coat.  I normally don’t use a lot of pink, but pink is what I pulled out for this piece, along with some leftover homemade coral chalk paint from another project. Using a well used stencil, I added modeling paste to the background using an old plastic gift card.

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I had previously used some red ink spray with this stencil, and now the leftover spray blended beautifully with the modeling paste…one of those moments of serendipity that so often blesses artwork.  I added more swirls of modeling paste, more paint, and more modeling paste until the piece was richly textured.

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I love the deep 1 1/2 inch drop of my new canvases, so I was sure to wrap my artwork onto the sides.

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The time to go out on the sunny porch to photograph, and my piece is done!

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This and other new pieces with be available for viewing and purchase at Bluebird Books in Hutchinson, KS for the month of September. 

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Painted Purse Tutorial

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This and other painted purses available in my etsy shop at https://www.etsy.com/shop/fromvictoryroad?section_id=10728734

I love the practical expression of art in painted handbags.  A well made, leather bag with lots of organization is hard to beat on the practical front, but lacking in interest and personality in the area of self expression.  A painted purse is the best of both worlds, but can be an intimidating project to take on.  Today, I will guide you through the process so you will be ready to liven up your own purses. Here we go….

STEP 1 GATHER YOUR SUPPLIES

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The most essential part of this whole project is the paint.  I know many people use regular acrylic paint on their purses and claim success, but I just don’t have confidence in the long term wearability.  I use special for leather Angelus Acrylic Leather Paints and have been very happy with the results.  The colors are vivid and they have proved durable.  They are sold many places, but here is a link for the starter set from Amazon, priced around $39, and another link to Shoe Shine Express which has a huge selection of colors.  While you are at it, you might want to pick up some Angelus Acrylic Finisher.  I don’t use this on every bag, only the ones where the paint sits on the surface… more on this later!

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You will also need:

  • finger nail polish remover
  • Q-Tips and/or cotton swabs
  • Micron pen (05 or smaller)
  • black Sharpie paint pen, fine or extra fine

STEP 2 CHOOSE A PURSE

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This is also pretty crucial to your success.  I look for very gently used purses at high end 2nd hand and consignment shops.  You want to start out with a high quality bag here. The purse on the left is a nice vintage bag made of vinyl.  Since vinyl doesn’t absorb the paint well, I use the Angelus finisher to seal it after I am done.  If you use vinyl, choose a bag without a lot of give and flex. These stiff sided vintage purses make a nice surface to work with.  Also, you don’t need to limit yourself to purses, I have done many billfolds as well and you may prefer to start with a smaller project.  My personal favorites are the soft leather bags because they absorb paint well.  I keep retruning to bags made by Fossil and Coach, but don’t exclude any well made leather bag in great condition. I look for designs that provide a blank area large enough for my own design.

Start in your closet and see what you can find!

STEP 3 PREPARE THE PURSE

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Here is where the fingernail polish remover comes in.  It is important to remove the finish that is on the purse in the area that you want to paint.  This will help the paint absorb better and that will make your paint job last longer.  I use Q-Tips if I only want to remove the finish in intricate areas, or a cotton pad to remove it in larger areas.  You will need to make sure the purse has time to dry completely before you start to paint.

STEP 4  DESIGN

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This is where it can get a little tricky.  A purse is not a nice flat uniform surface.  It is lumpy, and bumpy, and has zippers, straps, and fasteners to work around.  I have given up on trying to draw a design and then transfer it to the purse.  Now I use a fine tip black Micron pen (or a white gel pen on black bags) to draw a freehand design.  But I still like to come up with at least a rough plan of what I want to do, so I often sketch a picture of the bag with flaps and other important features and then try out my design there. For part of the design on this yellow purse, I actually made myself a little templat to use. The plunge of starting to mark up this nice bag that I have spent a fair amount of money on is always the hardest part for me!

Now for the fun part!

STEP 5  PAINT!

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This is like just about any painting project, more thin coats are better than one heavy coat.  The Angelus paints can be thinned with water, and I keep the first coat I put on pretty thin because the goal is to have it actually soak into the leather.  The paints themselves are pretty thick and dry out quickly, so only put on your pallete what you are going to use immediately.  The colors mix nicely, so even with the starter set you can make a wide variety of colors.  Keep adding more paint as the first coat dries, building layer on layer until you have a rich, intense coverage.

On the wallet, I decided to paint a section with a background color.  On dark purses you may want to either paint a background, or paint the design in white first so the colors will be brighter.

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Don’t forget about the strap, the back or other places you can add a little special something extra.  I used the template I made again here on the back side. I use a oil based black Sharpie paint pen to outline my designs and give a finished look to the bag.  If it is painted on vinyl, or even a not so porous leather, I coat with the Angelus finisher which also adds a little shine.

ENJOY!

That’s it!  You did it!  Wait about 24 hours before using, but then go have fun with your stylish one of a kind bag!

Love painted purses, but not sure you want to invest in making your own?  Visit my etsy shop to see my current selection of handcrafted and handpainted bags.

Here are some more of my painted purses to stir your creative juices:

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